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陳丹青

陳丹青 1953年生于上海。當代最具影響力藝術家,作家,文藝評論家,學者。畢業于中央美術學院。1970年-1978年輾轉贛南、蘇北農村插隊落戶,其間自習繪畫,是當時頗有名氣的“知青畫家”。1980年以《西藏組畫》轟動藝術界,成為顛覆教化模式,并向歐洲溯源的發軔,被公認為具有劃時代意義的經典之作。繪畫之余,出版文學著作十余部。陳丹青無論畫風與文風,都具有一種優雅而樸素;睿智而率真的氣質,洋溢著獨特的人格魅力
 

  • 中文名陳丹青
  • 外文名chen dan qing
  • 性別
  • 國籍中國
  • 民族漢族
  • 祖籍廣東臺山
  • 出生地上海
  • 出生日期1953年
  • 職業畫家、文藝評論家、作家
  • 畢業院校中央美術學院
  • 主要成就顛覆教化模式、向歐洲溯源發端
  • 代表作品《西藏組畫》《退步集續編》《陳丹青素描集》《紐約瑣記》
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陳丹青說“西”道“東”

中國美術網 09-18 瀏覽

話說大展涂辛(以下簡稱為涂):有人說,此次展覽是一流大師的二、三級代表作。您第一次觀看這些作品是在什么地方?這些作品是否對您的藝術創作產生過影響?陳丹青(以下簡稱為陳):“一流大師...
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人物經歷

流放少年
1970年,16歲的陳丹青初中畢業即被“文革”流放。16歲的孩子遠離親人,開始輾轉贛南與蘇北條件惡劣的農村插隊落戶,勾銷上海戶口幾乎是晴天霹靂。陳丹青茫然離開曾經打架、畫畫、斗蟋蟀、爬屋頂的上海石門一路老弄堂。陳丹青說,“那是很絕望的一個記憶,我覺得全部黑下來了。我上海大都市長大的然后就那么一個油燈,我們三個男孩子擠在一張床上,我記得一晚上幾乎醒著的。幾斤重的老鼠,整夜在我們被子上竄來竄去。第二天早晨下雨,那種雨打在瓦片上的聲音,非常茫然。然后出來叼根煙,看著那個秧田,那個四月份下雨的山,就是絕望,腦子里是空的。”
水深火熱
“下地插秧,苦透了。一邊插,一邊手指縫滲血,山里的地,是沙地。伸到水田里晃晃,血跡淡了,繼續插
秧。可是插秧回來,蚊帳里舉一本“普希金”看看,巨大的快樂。我很會干農活,秧插得齊,會挑擔子,我能挑一百斤谷子,一百斤谷子比同樣分量的東西更沉。十里山路不換肩。上山的步子怎么走,下山的步子怎么走,水塘里怎么走,石子上怎么走,我都會。挑到糧倉,金黃的糧倉,非常美。糧倉里的谷子那么多,我這一百斤倒進去,就不見了。”
20歲那年,陳丹青輾轉又到了蘇北的江浦石橋公社的農村插隊。在將近一年的時間里,蹲在村辦的骨灰盒廠畫了近千個骨灰盒。心情極其壓抑的他,經常跟老木匠就著咸菜喝悶酒。22歲那年,陳丹青插隊已六載,竭盡全力爭取南京商業局招收的裝卸工名額。表填了,體檢通過了,最后一分鐘被否決。因為他是上海知青,招了他,就占了南京知青一個名額。他眼看幸運者擠在車上開回城里去了,獨自淋著大雨趕路,發高燒大病一場。
漸入佳境
在藝術上,陳丹青出道很早。從1970年到1978年的農村插隊落戶期間,在極其惡劣的生活、勞動中,他一直
堅持自習繪畫。20歲那年,被調到江西出版社參加連環畫學習班,天天畫連環畫,非常開心不用種地了,就想從此做個連環畫家。1973年,陳丹青居然出了《邊防線上》《飛雪迎春》等三四本連環畫;1974年,又被調到省里參加油畫創作班,開始畫革命油畫,他的第一張油畫創作是《老將和小將》。1974年,陳丹青向家里要了40塊錢,從江西混票到上海,然后換火車到北京看全國美展。第一次上北京就像后來到紐約、到巴黎,走進中國美術館就像走進盧浮宮,一泡一整天,賴在幾幅畫前。1975年,陳丹青為小說《青石堡》創作插圖。1975年3月,陳丹青又輾轉到蘇北插隊,當時他的油畫和素描功底已經相當扎實,其作品在南京藝壇引發了不小的震動。1976年,陳丹青創作了大型油畫《給毛主席寫信》。
初次進藏
1976年,陳丹青被當做人才借調到西藏搞創作,首次進藏。西藏對陳丹青有著決定性的影響,一是他找到了“文革”當中的一個特殊的題材——少數民族的題材,也為后來的1980年二次進藏創作《西藏組畫》奠定了基礎;二是毛澤東去世后可以畫悲劇,可以畫人在哭。因為“文革”時不可以出現悲劇場面,所有工農兵都要笑得紅光滿面。因此,陳丹青早期的代表作——大型油畫《淚水灑滿豐收田》以及《進軍西藏》誕生,并于1977年分別入選《全國美展》《全軍美展》;1977年創作連環畫《周恩來年輕時代在天津》;1978年應《連環畫報》約稿創作連環畫《維佳的操行》。這些作品都在當時產生了很大的影響,陳丹青在全國已是名聲叫響的“知青畫家”,與北大荒的知青畫家群遙相輝映。
 

藝術風格

還原本真
過去看了《西藏組畫》覺得有點不可思義,看了他70年代的寫生,感到完全是順理成章,水到渠成的事情——我甚至覺得,他那些寫生之作更有感性魅力,更生動耐看。陳丹青在70年代的大部分肖像、構圖和創作,雖說出自“文革”或準文革時代,卻沒有或極少文革美術的”紅、光、亮”和一本正經的做姿做態。這使我很驚異,因為這現象在當時是很少見的。他是憑著什么作到這一點的,我尚不清楚。但前面二條即天分和真誠的激情,應該也是原由的一部分。即他當時作畫,主要不是產生于迎合領導的指示。而是產生于內在藝術沖動,因此那表現來得自然,而沒有摻進更多工具論的、風格化的、概念化的東西。(郎紹君藝術評論家)
陳丹青的畫令人愛看,耐人尋味,是用他的高超的寫實手法,真實地表現了濃厚的生活氣息,達到令人看不厭的境地。(馮法祀畫家、教授)
陳丹青這些真實的藝術形象面前,你不禁會問“他們在想什么?”“他們需要什么?”甚至使你進一步思考一個人和民族的命運。(朱乃正畫家、教授)
對于美術界而言,1980年盛夏,是陳丹青的輿論熱季,在研究生畢業畫展中.他呈示出七件描繪藏族生活的油畫,以其令人信服的真實形象,以其平實含蓄的畫意,深深引起同行們的“繪畫與生活”的反思,畫展研討會上,《西藏組畫》被譽為“現實主義”的“還原”,而獲得普遍肯定時,他卻答道:“我并不愿把這些畫抬高到“高于生活”的種種“主義”中去。我畫的,只是眼前平凡的生活、原原本本的一些男人和女人們……”。這一席語氣謙卑的告白,正是日后國內畫壇”生活流”創作最早的宣言。(孫景波畫家、教授)
曼舞線條
1978年初夏,中央美術學院研究生考場其中的創作考試,自由命題,限一日內交卷。陳丹青上午畫出了四幅素描草圖,下午又畫了一幅油畫,五幅構圖中,場面殊異而人物眾多,形象情意均極生動具體,渾如汗氣未散之際,便活生生地涌進了他的畫面。如此敏捷的才思,能如此憑空臆造的形象記憶力,實在令人誠服,丹青一舉奪魁,傳為考場佳話,當時他僅有24歲,是油畫專業中年齡最小的考生。
陳丹青入學前自習繪畫,初即以速寫開端。但于速寫之好,依然如初。陳丹青的資質,在其對“真實”的洞察力;在其對物象形態意味的特殊敏感;在其精確地把握與駕馭技巧的嫻熟,可謂慧眼獨具。他在紐約的速寫,作風更見精當、扼要;手法更為酣暢、洗練。他的動態速寫,尤似能捕風捉影,堪稱一絕。看似簡略粗率,實則精微妙要俱到,形神兼備。就速寫的純粹性而論,具有更為獨立的欣賞價值。這便是線條的舞蹈,是線條假手音樂節奏在奏鳴交響,流露著一個東方畫家骨子里特有的根性。陳丹青說:“線條之于我,是一種天性,對線條形式品味的敏感是我的本能,我的速寫,無疑得之于民族傳統的熏陶”,他對自己藝術的特色和淵源的認識,可謂知之甚明。(孫景波畫家、教授)

文學創作

畫家的作家
作為作家的陳丹青,出版了一系列文學作品:《紐約瑣記》《外國音樂在外國》《多余的素材》《退步集》等十幾部書。內容涉獵社會、文化、藝術、教育、文學、人物、歷史、音樂、建筑、兩性、城市等等方面。其中2005年出版的《退步集》售出10萬冊,至今已第19次印刷;《多余的素材》在北京三聯書店上柜僅一周,便以近千冊的銷量登上排行榜;陳丹青的書都是暢銷書的頭幾名,香港2008年最受歡迎50本書,第一個就是他的《荒廢集》,而且臺灣也將出版他的書。寫作是他于繪畫、演講之外的又一巨大影響。
陳丹青曾問讀者,“為什么喜歡讀我的文章呢?”有人答:“大約我們壓抑太久了吧。”還有人答:“看你的文字很爽。”陳丹青文字的魅力,部分源自性情、器識;另一部分則和他的畫一樣,建基于強大的寫實功力。他有捕捉并且再現細節的天賦。人性的深淺、文化的歧變,在他眼里不過是有質感的日常細節。
快意的沖突
關于繪畫與寫作,陳丹青如是說:“很多感受沒法放到畫里面去,因為繪畫就是繪畫,它說的是另外一套語 言。但寫作可以讓我很好地表達:比如紐約我不會去畫他,但我可以寫它,這是寫作過癮的地方。《紐約瑣記》盡可能地描述一個真實的,你可以有呼吸感的空間,我只是以一個紐約居民的身份寫這本書的,而不是一個海外藝術家,我不認為有什么動物叫海外藝術家。”
“我得承認,書寫、演說,令我獲得繪畫從未給予的快意,而當閉嘴描畫時,我再三慶幸畫畫比我所能想象的幸福,更幸福。人不免有外向或內斂的天性吧,寫寫畫畫,是在均衡這天性,抑或是一種我目前尚未了解的沖突?而繪畫與寫作的功效,比我想象的更差異。前者是享樂的,自私的,后者似乎迎合公眾,并被賦予曖昧的責任。”
“畫家的陳丹青”“作家的陳丹青”“演講家的陳丹青”“評論家的陳丹青”……屢屢而為的跨界,陳丹青錘煉出愈發敏銳多變的眼力和筆力,《退步集》《紐約瑣記》《荒廢集》表明了陳丹青是個善于思考和善于記錄的人,生活的積累在他的身上和文字中醞釀得越發厚重且沉郁。

人物評價

人道情感和人格力量是陳丹青藝術中主要的藝術底蘊,這是他本人情感品格的自然體現,浸透了他的自身的經歷,包含著他對底層人民的深切理解、憐憫和尊重。這種人道情感與人格力量賦予他的作品以輝煌和崇高的意義。(鄧平祥畫家、《論陳丹青》作者)

與丹青遠別久矣,年復一年,依然夢見在一道寫生的情景。我自來多病.丹青在側時,伺護仿佛兄弟,或煨湯藥、或做按摩,常等我安睡后,自己方去修憩,同室三年,時時可感覺他待人的情義,一如他觀物的體貼,每當我觀賞丹青作品時,總不免對往者友誼情不能禁的思念,以畫品、人格、兩相映照,或許這便是我對丹青有別于一般同業的認識。(孫景波畫家、教授)

詩經上有“既見君子”。我有時在想,怎么這么容易就遇見陳丹青老師了。幸運之至,心中感激。雖沒有考入陳老師的正式研究生,有幸得其教誨,受益匪淺,余韻終生。陳老師辭職清華,成為質問教育制度的大事件,全國

人民都在關心。陳老師對我當年一分之差之事的不斷提及,我除了感激,惟有慚愧,心頭哽咽難言。我赴倫敦留學前陳老師與眾師兄給我舉行告別宴,席間陳老師囑咐:一是要我多交朋友;二是要我向歐洲人學習穿著打扮,并要我學會克制多愁善感的情緒。陳老師發現學生的一絲優點便不吝夸贊,我自覺慚愧,可是贊美通常又是最高的要求。(吳雯 陳丹青學生)

丹青是一個很正直正派的人,我們全家說話都直。我覺得最重要的是做人。我們從小要求他:做人是安身立命的根本,然后才能搞學問事業。他讀書很用功,他的聰明超乎我們的想象。他的很多思想超過他的年齡,很敏銳。他感情豐富,對家長也很孝順,對朋友很好。他小時就非常自信,送他去學游泳還沒下水他就覺得自己一定會游。丹青從小就喜歡游泳、音樂、文學、繪畫。(陳兆熾陳丹青父親)

丹青老師畫而優則文,口才也了得,他終洋溢著平易近人、博學幽默的人格魅力,很多年輕人都喜歡聽丹青老師講話。他是當代中國的魯迅、亞里斯多德、蘇格拉底,看了他的書,才發覺思想家、真理離我們這么近。(劉金陳丹青學生)

唯真而為

丹青的《西藏組畫》造成了巨大轟動,在中國美術史上是具有開拓性的。那么年輕的人,有這樣的追求。我很欣賞他的文筆,字寫得也好,文采也好。一看就不是一般的人,是個有文化修養的人,在藝術上有想法有追求的人。在學校投票中,有好幾次他都是學生“最喜愛的老師”。包括他的坦誠,學生們都很喜歡他。(袁運甫畫家、教授)

輿論總是把丹青放進《西藏組畫》的終極成就中予以定論,可是他的才華是活潑的,而且很豐盛。和他接近的好朋友都知道,他有超常的學習能力,實踐范圍甚廣,品性純真,富有正義感。平心而論,這幾十年沒有哪個同齡畫家能比他更活躍多彩,涉獵通達,對周圍有那么持久的影響力。從我識事以來,見過許多有才能、有學問的人,可是丹青卻有許多過人之處,在他身上我看到造物主的奇妙。由于他的才大,常常不能自我,因著他的品性端正與良知,有些可以不說的話不干系的事,他又常常去說去做,為此招來不少誤解,所謂明哲自保、言多必失的古訓為他所不取,這也是人們從心里對他的敬意所在。(楊飛云畫家、中國油畫院院長)

陳先生是個非常可愛的人,很多見過陳先生的人都說他像30多歲的人。可是我覺得他的心態甚至比20多歲的人還要年輕。他對很多事情抱著像孩子一樣的好奇心。性格爽朗,談話有鋒機,嬉笑怒罵,字字珠璣。和他在一起聊天是最大的享受。陳先生是個有大智慧的人,我認為他始終是一個文化追問者。很多我們習以為常的藝術問題,他反而會提出很多的問號,往往在這樣的追問中讓我們看到一副完全嶄新的景象。我的新書《長喉結的美女》請他做序,他把一厚疊書稿帶到紐約,大熱天認真地看,序言寫得很長還不厭其煩地反復修改。他說:“年輕人的第一本書馬虎不得。”(尹大為上海電視臺編導)

English Introduction

Exile youth
1970, 16 year old Chen Danqing junior high school graduation that was "Cultural Revolution" exile. The 16 year old children away from their loved ones, began to flounder Gannan and Subei conditions of rural chaduiluohu, Shanghai Hukou is almost a bolt from the blue. Chen Danqing was left fighting, painting, cricket, climbing roofs of Shanghai Shimen road old lane. Chen Danqing said, "that is a very desperate memory, I feel all black down. I grew up in a big city in Shanghai and then an oil lamp, the three of us were packed in a bed, and I remember waking up almost every night. A few pounds of mice, the whole night in our quilt to flee. The second day in the morning rain, the kind of rain hit the tile on the sound, very at a loss. And then come out a cigarette, looked at the nursery, the April rainy mountain, is desperate, the mind is empty."
The water is deep and the fire is hot
"Under the planting, bitter. While inserting, one side of the finger seam infiltration of blood, the mountains of the ground, is the sand. Stretched into the paddy field, the blood faded, continue to insert
Seedling. But planting back, mosquito net for the "Pushkin" look, great happiness. I'm working on the farm, the seedling plug Qi, will carry burden, I can pick one hundred pounds of millet, millet one hundred pounds heavier than the same weight things. Ten mountain is not indicated. How to go up the steps of the mountain, how to go down the steps, how to walk in the pond, how to go on the gravel, I will. Pick to the barn, golden barn, very beautiful. There are so many millet in the barn, I fall into the one hundred pounds, it is gone."
At the age of 20, Chen Danqing traveled to North Jiangpu and Shiqiao commune countryside. For nearly a year, squatting in the box of ashes painting village factory nearly 1000 urn. The mood is very depressed him, often with the old carpenter with pickles drink. At the age of 22, Chen Danqing has in six years, make every effort to strive for the stevedores to recruit the Nanjing commercial bureau places. The table was filled, the physical examination was passed, and the last minute was rejected. Because he was educated in Shanghai and recruited him for a number of Nanjing youth. He was lucky to squeeze in the car back to town to go alone, with heavy rain on the fever of a serious illness.
Gradually enter blissful circumstances
In the arts, Chen Danqing debut early. From 1970 to 1978 in the countryside during the life, extremely bad work, he has been
Insist on self-study painting. At the age of 20, was transferred to the Jiangxi press in comic classes, every day is very happy to draw comics, farming, and wanted to do a comic artist. In 1973, Chen Danqing had a "border line" "snow spring" three or four comic book; in 1974, was transferred to the province participated in the creation of oil painting classes, began painting revolution paintings, his first painting is "veteran and young". In 1974, Chen Danqing to 40 pieces of money to the family, from the Jiangxi mixed ticket to Shanghai, and then for the train to Beijing to watch the national art exhibition. The first time on Beijing like later to New York, to Paris, into the Chinese art museum is like walking into the Le Louvre Museum, a bubble all day, Lai in front of a few paintings. In 1975, Chen Danqing for the novel "blue stone" in the creation of illustrations. In March 1975, Chen Danqing went to the north at the time of his queue, painting and drawing skills have been quite solid, the works caused no small vibration in the Nanjing art scene. In 1976, Chen Danqing created a large oil painting, "Chairman Mao wrote to Chairman Mao".
The first time in Tibet
In 1976, Chen Danqing was seconded to Tibet as a talent to create, for the first time in tibet. Tibet has a decisive influence on Chen Danqing, one is that he found "a special theme of Cultural Revolution" -- the theme of ethnic minorities, but also laid the foundation for the later creation of Tibet in 1980 two "Tibet paintings"; the two is after the death of Mao Zedong can draw the tragedy, can draw people crying. Because of the "Cultural Revolution" can not be a tragedy of the scene, all workers and peasants have to laugh all the time. Therefore, large oil painting "harvest" Tian tears on Chen Danqing's early masterpiece "and" born into Tibet, and in 1977 were included in the "National Art Exhibition" Art Exhibition "in 1977 the creation of" army; comic "Zhou Enlai youth" in Tianjin; in 1978 should be "even pictorial" manuscripts "comic creation ring Vega's conduct". These works have a great influence at that time, Chen Danqing's reputation in the country is called "youth painter", and the Great Northern Wilderness youth artist group remoteshine.

Restore the truth
Look at the past "Tibet paintings" feel incredible, look at his 70s painting, feel is completely logical, natural thing, I even feel that he is more rational for painting charm, more vivid and beautiful. Chen Danqing in 70s most of the portrait, composition and creation, even from the "Cultural Revolution" or quasi revolution era, but little or no art during the Cultural Revolution "red, light, bright and poker-faced do do pose state. This makes me amazing, because this phenomenon is very rare at the time. He is relying on what do this, I is not clear. But in front of two that talent and sincere passion, should also be part of the reason. That he was painting, mainly produced in the instructions to meet the leadership. It comes from the inner artistic impulse, so that it is natural, and there is no more tool theory, style and concept. (Lang Shaojun art critic)
Chen Danqing's painting is love, is intriguing, with his superb realism, which reflect the rich flavor of life, never reached a position. (Feng Fasi painter, Professor)
In the face of the real art of Chen Danqing, you can't help but ask, "what are they thinking?"" "What do they need?" Even make you think further about the destiny of a person and nation. (Zhu Naizheng painter, Professor)
In the art circle, the summer of 1980, is a public hot season in Chen Danqing, in the Graduate Exhibition. He showed seven paintings depicting Tibetan life, with its compelling true image, its plain subtle flavor, deep cause of colleagues in the "art and life" reflection, exhibition Seminar on the "Tibet paintings" known as "realism" and "restore", and generally yes, he replied: "I don't want to put these pictures up to" larger than life "all sorts of" doctrine "to. I paint, just some men and women in front of ordinary life, from beginning to end......". This a tone of humility confession, it is after the painting "life stream" the creation of the earliest declaration. (Sun Jingbo painter, Professor)
Man dance line
In the summer of 1978, China Central Academy of Fine Arts graduate exam the creation of exam free proposition, one day in the. Chen Danqing morning drew four sketch sketch, the afternoon drew a painting of a composition in five different scenes, and many characters, the image of affection are very vivid and specific, like sweat not scattered on the occasion, he is living into his picture. So quick wit, such baseless creations image memory, really convincing, Dan won, for the examination of stories, he was only 24 years old, the age is the smallest in the oil painting professional candidates.
Chen Danqing preschool classes in the early beginning of the sketch painting. But in the sketch, is still the same. Chen Danqing's qualifications, in the "real" in the form of an object of insight; means of sensitive; in its accurate grasp and control skills, can be described as discerningly. In New York he sketches, more precise and concise style; style is more succinct, lively. His dynamic sketch, especially can make groundless accusations, is a must. The seemingly simple but rough, fine delicate to gigantic, vivid. On the sketch of the pure theory, with more independent value. This is the dance line, is a line of musical rhythm in hand Sonata symphony, revealing a unique Oriental painter inside root. Chen Danqing said: "the lines for me, is a kind of nature, the line form is sensitive to taste my instinct, I will have to sketch in national tradition", understanding of his artistic characteristics and origin, what is it very clear. (Sun Jingbo painter, Professor)

The painter's writer
As a writer, Chen Danqing, published a series of literary works: "New York day" in the "foreign" foreign music "excess material." the "back" and a dozen books. Content in society, culture, art, education, literature, people, history, music, architecture, gender, urban and so on. The 2005 issue of the "back" sold 100 thousand copies, has been printed nineteenth times; "excess material" in Beijing Sanlian Bookstore listed only a week, with sales of nearly a thousand copies of the charts; Chen Danqing's book was a bestseller in the first few, Hongkong in 2008 the most popular 50 book. The first is the "waste" in his, and Taiwan will also publish his book. Writing is another great influence on his paintings and speeches.
Chen Danqing once asked the reader, "why would you like to read my article?" Someone replied: "we have been depressed for too long." There are people answer: "look at your text is very cool." Chen Danqing, the charm of the text, from the part of nature, nature; the other part and his painting, to build a strong realistic skill based on. He has a talent for capturing and rendering details. The depth of human nature, cultural diversity, in his eyes, but there is a sense of daily details.
The pleasure of conflict
About painting and writing, Chen Danqing said: "a lot of feelings can not be put into the painting, because painting is a painting, it is said that another set of language. But writing can make me very good expression: such as New York and I'm not going to draw him, but I can write it, this is where the fun of writing. "New York day" as much as possible to describe a real, you can have a sense of breathing space, I just write this book by a New York resident, rather than a foreign artist, I don't think what animal called overseas artists."
"I have to admit, writing, speech, so I have never given the pleasure of painting, and when I painted shut up, and that painting than I can imagine happiness, happiness. People can not help but have outgoing or introverted nature, writing and drawing, is in the balance of nature, or is a kind of I do not yet understand the present conflict? And the effect of painting and writing is more different than I thought. The former is a pleasure, selfish, the latter seems to cater to the public, and was given an ambiguous responsibility."
"Painter of Chen Danqing" "writer Chen Danqing" "speaker of the Chen Danqing" Chen Danqing "critic""...... For the cross-border repeatedly, Chen Danqing temper increasingly keen eyesight and changeable strokes, the "back" "New York" "waste" that day Chen Danqing is good at thinking and good records, the accumulation of life in his body and writing more and more heavy and gloomy brewing.

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